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The Need for Cyber Resilience
Cultivating India’s Art Heritage
Storytelling through Virtual Reality
Nurturing a Beginner’s Mind
There can be poetry in policy
Empowering the Indonesian Batik community
Business needs more circus
Stories across time
Crowdfunding for the arts in India
Rajnikanth inspired unconventional Yogi
Street art diaries
Edible Cutlery
Heroism in Translation
Space over form in architecture
Structuring creativity
Ancient chants for world peace
The stories we tell ourselves
Returning stolen art to India
Hyperrealistic mannequins, Made in India
OJAS — women who found spiritual union
Pakistan’s untold stories
Curating the Kochi-Muziris Biennale
Making of the Kochi-Muziris Biennale
Our brains on electronic music
How music works on us
Beauty vs. utility
You Have More Friends Than You Know
Why I make films
To innovate, dissolve disciplinary boundaries
Parallel worlds and the Eames legacy
From animating Call of Duty to realizing my duty
The Samsara experience
Blue Throat Shiva
Ideas all around us
Udd Jayega Hans Akela
Now re-focus images (after taking the picture!)
What I choose to illustrate and why
The ultimate Malayali dance-mix
I want to be disruptive
From Carnatic to Hindustani
Sound of the Hindustani clarinet
What we look for when we have everything
Praxis and poetry
Snapshots of war and the water crisis
On pointless creativity
The call of the Bauls
A powerful lesson on surprise
Oneness with sound
Finding happiness
Ragas, moods, and emotions
The Raghu Dixit Project: Everyman’s song
Raghava KK: How to burst your mind bubbles
Gayatri Ganjawala: When East and West meet
Adrianna Svitak: Dancing fingers
Rick Smolan: The shot that changed lives
Ramachandra Budihal: Digitizing history
George Mathew: Rhythm that resonates
Shamim Sarif: Why art matters
Deepti Naval: Those 23 days